168开奖网极速赛车历史查询|极速赛车168开奖记录一分钟 Graffiti and the lasting impact of nostalgia on cinema

By Daniel Allen

Half a century on, George Lucas's seminal teen movie casts a long shadow across both the coming-of-age genre and filmmaker autofiction.

What to watch at home in August

By Anton Bitel

Buster Keaton, time travel and an unlikely romance are among the gems to take home on Blu-ray and DVD this month.

Bette Gordon: ‘Between female desire and gratification lies a space full of possibilities’

By Anna Bogutskaya

As Variety returns with a 2K restoration, Bette Gordon reflects on the making of a cult classic, her love for ‘80s New York and her friendship with Nan Goldin.

Features

American Graffiti and the lasting impact of nostalgia on cinema

By Daniel Allen

Half a century on, George Lucas's seminal teen movie casts a long shadow across both the coming-of-age genre and filmmaker autofiction.

Why I love Lindsay Lohan in Freaky Friday

By Sarah Cleary

20 years on, her performance as an uptight businesswoman trapped in the body of her teenage daughter is still among the best Disney has to offer.

1分钟极速赛车官方开奖结果直播 - 168极速赛车开奖官网记录查询

By Marina Ashioti

In Leonor Teles's enigmatic second feature, spatial experimentation becomes geographic gap-bridging material.

What to watch at home in August

By Anton Bitel

Buster Keaton, time travel and an unlikely romance are among the gems to take home on Blu-ray and DVD this month.

View More
View More

Reviews

Lie with Me review – a spiralling queer portrait of ardent memory

By Emily Maskell

A successful author returns to his hometown, only to unlock memories of a clandestine love affair in Olivier Peyon's adaptation of Phillippe Besson's critically-acclaimed autofiction.

review LWLies Recommends

Red, White & Royal Blue review – Uma Thurman steals the show

By Patrick Sproull

A bestselling queer romance novel about a clandestine relationship between a British prince and the US president's son gets a big screen makeover care of Matthew López, with twee but charming results.

review

L’Immensità review – infuriating hash of sentimentality

By David Jenkins

Penélope Cruz is in glamorous ’70s matriarch mode in this patchy Italian family saga which tries to deal with themes it doesn’t fully understand.

review

Haunted Mansion review – feels more like a product than a story

By Leila Latif

Justin Simien attempts to breathe life into Disney's latest ride-based franchise starter, but despite a fine cast the results are a little scattered.

review

Joy Ride review – hands-over-eyes, wretched hilarity

By Saskia Lloyd Gaiger

A quartet of mismatched women take a road trip across China in a journey of self-discovery in Adele Lim's raunchy comedy.

review

Kokomo City review – an impressively stylish debut

By Marina Ashioti

D Smith's lively documentary offers a bold exploration of transness, womanhood, Blackness and the sex industry.

review

View More
Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design