Features

American Graffiti and the lasting impact of nostalgia on cinema

By Daniel Allen

Half a century on, George Lucas's seminal teen movie casts a long shadow across both the coming-of-age genre and filmmaker autofiction.

Why I love Lindsay Lohan in Freaky Friday

By Sarah Cleary

20 years on, her performance as an uptight businesswoman trapped in the body of her teenage daughter is still among the best Disney has to offer.

Baan – first-look review

By Marina Ashioti

In Leonor Teles's enigmatic second feature, spatial experimentation becomes geographic gap-bridging material.

What to watch at home in August

By Anton Bitel

Buster Keaton, time travel and an unlikely romance are among the gems to take home on Blu-ray and DVD this month.

Bette Gordon: ‘Between female desire and gratification lies a space full of possibilities’

By Anna Bogutskaya

As Variety returns with a 2K restoration, Bette Gordon reflects on the making of a cult classic, her love for ‘80s New York and her friendship with Nan Goldin.

Sweet Dreams – first-look review

By Marina Ashioti

Ena Sendijarević hits the sweet spot with this offbeat, surreal period piece set on a remote Indonesian island.

Animal – first-look review

By Marina Ashioti

Dimitra Vlagopoulou gives a knockout performance in Sofia Exarchou's resort-set second feature about a group of seasonal performers.

Alice Winocour: ‘Post-traumatic memory is something very specific’

By Hannah Strong

The French filmmaker on the nuances of recreating a real-life terrorist attack in her reflective new film, Paris Memories.

The irrepressible screen presence of Jason Statham

By Callie Petch

One of cinema's leading hard men, the former model and Commonwealth diver has carved out a dependable – and at times greatly entertaining – niche.

The uplifting, transformative coming-of-age cinema of Greta Gerwig

By Mallory Blair

A writer reflects on how watching Greta Gerwig's Little Women led to a life-changing revelation, and the comfort found in her cinema of girlhood.

Why I love a Seaside Weepie

By Lee Penfold

This subgenre of British film makes use of the many coastal beach towns around the UK – but often contrasts holidays and relaxing with characters experiencing some sort of crisis.

A first-hand account of Oppenheimer and Barbie’s censorship in Pakistan

By Adil Rahim Hyder

Social media has been fascinated by reports of a strange CGI addition in Oppenheimer for certain conservative countries – our writer reports on the reality of Barbenheimer in a country where cinema is subject to heavy government scrutiny.

The past proves that Hollywood’s unions are powerful – and that striking works

By Jessica White

As tensions mount between the WGA, SAG-AFTRA and the ATFP, it's worth looking to past examples for proof that Tinseltown's unions have changed the industry for the better.

The complicated legacy of heavy metal in cinema

By Sarah Cleary

Metal is often given short shrift at the movies, but a handful of great auteurs have used the genre and its subculture to brilliant effect.

Celebrating the sartorial cinematic legacy of Jane Birkin

By Elif Türkan Erisik

A star so stylish she had an Hermès bag named after her, Jane Birkin's effortless on and off-screen elegance has never been matched.

Marseille Film Festival explores cinema as a medium of escape

By Kitty Grady

A world away from the glitz and glamour of Cannes, another French coastal city aims to build a more inclusive and challenging vision of a film festival.

The Bear embraces career uncertainty and what it means to find a purpose

By Lucy Carter

As chefs Carmy and Syd grapple with the weight of their own expectations and ambition, their friends struggle to find a vocation at all. This candid approach to the difficulty of finding a purpose feels quietly refreshing in pop culture.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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